Remove Film Remove Storytelling Remove Television
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Can Sponsored Content Work For PR?

ImPRessions - Crenshaw Communications

It’s considered the most credible and influential source for storytelling. A great example is Cocaine Economics , a stunning interactive website created through a partnership between Netflix and WSJ to promote the television show “Narcos.” But can we say that for sponsored content ? Does it have the same impact as earned media? .

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A Journey of Pro-Aging and Reinvention with Diane Britt-Smith

PR for Anyone

The Broadcasting Years Diane has gained a multifaceted skill set with her extensive background that includes radio, television, film, communications, and broadcasting. A Natural Storyteller At the core of Diane’s personal and professional pursuits lies a common thread—storytelling.

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Storytelling or Story-selling? The Hollywood Blockbuster

The Stalwart Blog

Our film of choice was Jurassic World, the fourth installment of the Jurassic franchise. The film was nothing special, high priced visual effects and a simple, formulaic storyline. Over time, occurrences of product placement have become the rule rather than the exception in not only film, but television as well. .

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How to Help a Tiny Torah Scroll Kickstart An Article of Hope

Waxing UnLyrical

And before you read further, there is an ask involved, to help get a very moving documentary to American television screens via PBS and Kickstarter. And seven years ago, Dan started out to make a film about a Holocaust story, centered around the journey of a tiny Torah scroll given to boy in a secret Bar Mitzvah in a Nazi concentration camp.

Film 108
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How has #OscarsSoWhite media coverage changed since 2015?

NewsWhip

Though there were more diverse casts and films to choose from this year, the social media movement #OscarsSoWhite continues to raise these issues each time the nominations are released. She's most interested in bridging the gap between business and editorial and exploring ways publishers can use data to inform their storytelling.

Film 88
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Your Story Needs White Space

ReimaginePR

The same principle applies in film. I’d be assigned a script and my job was to read it and assess whether or not it was worthy of putting the money into developing it into a television series or movie. Only then can they actually put themselves in your home and imagine the possibilities.

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To Break the Glass Ceiling, Simply Blow it Up Blockbuster Style

wiredPRworks

Cassandra Brooksbank is a commercial director currently in pre-production on her first action film, Thieves Die Alone. Hollywood action films seem like an unlikely platform to promote gender equality, but to really change the way women are viewed in our culture, Hollywood Blockbusters must showcase more heroic women. Lady Macbeth.

Film 75